Wednesday, 29 May 2013

Paintings for sale

You can buy them.
Price:
                                                                        first one $150



Second one: $70


Monday, 20 May 2013

ROLLING ART




Mr. Samsu picks up the largest brush from the basket and thinks for a while. This may well be the last painting he ever does. He does not need to draw anything from before. He has enough expertise and experience. Sixty years worth of it. So without wasting another moment he dabs the brush into a can of Rumana colors – the brilliant shade of red, it has always been his favorite.
From the time he first laid eyes on the 10 inch vacant steel plate, he knew what he would paint. By using his shaky, yet mastered hands, he would bring to life his dream girl – Bobita. He intricately paints her face with the many hues of blue, yellow, green and pink and borders her facial structures with a bold black.
The light from the only window illuminates the canvas and he himself becomes impressed by his creation of dangerous vibrant colors. It was his contribution to this world. His contribution to people’s art.
We are all familiar with Pablo Picasso, Edvard Munch, Vincent Van Gogh, Paul Cezanne (at least some of you must be. Otherwise, where is this world headed?)But are you familiar with S.M. Samsu or the many more like him? The rickshaw paintings we see everyday are so common to us locals, that we don’t appreciate it to the fullest. But we’ve always been observers. How do you think the painters feel?
By talking to Mr.Samsu and other rickshaw painters, we learn to understand what art feels like to them. They are like any other world-class painter: they make a living with their passion, support their families and try their best to provide education for their children. They are inspired by the energy of the surrounding and they successfully create that energy with the bold colors that they use. They paint and draw without primary education, or any kind of education for that matter, because from the distant time of their childhood, they’ve learnt to observe and absorb the scenery around them. And the things that inspire them are the ones that they paint.
From the time of Old Dhaka’s heydays, rickshaw painters have carried on with their work silently. When they see a rickshaw with their painted plates pass by, they still well-up with pride. But as times keep rolling, these paintings have been degraded and their worth is unnoticed. Mr.Samsu tells RS, ‘Rickshaw painting is nothing more than a low worth dirty job nowadays. It was hard for me but I had to accept this and move onto exhibiting and selling my paintings to foreigners. They seem to appreciate our art more than our people.’
Why don’t we see its worth? A common Answer could be that there are so much of such paintings that people think that making them is simple and ordinary. If that’s what you think, then try painting one yourself. Chances are, you’ll miss the mark by a long way.
Like any other paintings, abstract or not, rickshaw paintings inspire us. Have you ever noticed the colors that they use? They make the plates of the rickshaws stand out. Hence, they are bold and we notice them more than we would have if they were painted with light colors. The simplicity of their work disguises the complexity and inner messages they may contain. The paintings are the painters’ podiums where they can say whatever they feel. The paintings can be decoded in various ways. But to do so we must observe them with open minds. We must cherish their existence, because without them the streets of our cities would be a whole lot more bland.


Friday, 3 May 2013

Rickshaw Arts of Bangladesh

Rickshaw Art in Bangladesh / রিকশ আর্ট ইন বাংলাদেশ

A book on Rickshaw Art

Rickshaw Art in Bangladesh / রিকশ আর্ট ইন বাংলাদেশ

Book Code12437
PublisherUniversity Press / ইউনিভার্সিটি প্রেস লিমিটেড
Book TypeReference [+]
PublishedFebruary, 2002
ISBN9840515780
Page84
LanguageEnglish
BindingHardcover
PriceTk. 1000.00

Link to buy online:
http://www.boi-mela.com/BookDet.asp?BookID=12437

Highlighting rickshaw art


by Takir Hossain
Creative and artistic designs were used in wooden doors, rectilinear door frames, rectangular and vertical patterns, windows, home decoration, furniture and more. Birds, animal forms, foliage and different parts of nature were used on the timber in the past. The tradition had been on the wane for some time and by now it has become quite hard to find the existence of such craftsmen. It is widely known that woodcarving is a time consuming and labour intensive work. The medium has been practised in the Craft Department of Faculty of Fine Arts, University of Dhaka. But the genre of art did not acquire the spirit it was expected to.
Fortunately, a few enthusiastic artists are now trying to rejuvenate the medium. ABM Rokon-Uz-Zaman Sohel is one of them. He graduated from the Faculty of Fine Arts, University of Dhaka. He has learned many delicate methods and techniques of woodcarving from some of his dedicated teachers like Abdus Shakoor Shah and Faruk Ahmmed Mollah.
Sohel's solo art exhibition titled "Journey by Rickshaw" is now on at Zainul Gallery, Faculty of Fine Arts (FFA), University of Dhaka. The exhibition was inaugurated on October 4. Professor Shahid Akhter Hossain, Pro Vice Chancellor of Dhaka University was present as chief guest. Professor Matlub Ali, Dean of FFA, presided over the programme. Professor Abdus Shakoor Shah, former chairman, Department of Crafts, FFA; Nazib Mohammad, associate professor and Faruk Ahmmed Mollah, assistant professor of the Crafts Department, among others, were present at the inaugural session.
It is significant that there was no strong theme in customary woodcarving before in our country. Since the '90s, the panoramic beauty of rural Bengal and young couples became significantly noticeable in woodcarving. The woodcarvers raced to the contest of the painters, who work in two dimensions. Nowadays, woodcarvings have taken a prestigious place beside paintings. Woodcarvings also decorate doors and walls in a very artistic way. Art galleries and art shops have successfully made an impact on collectors' tastes with their collection of woodcarvings. Against a background of such reality, Sohel has practiced this medium. His woodworks are a testimony to the fact that even after the trees have died, there is a possibility of the renewal of life.
Sohel gives an artistic life to his creation. Observing trees, the artist easily comprehends how the branches can be used through his works. The texture of wood creates an eye-catching quality. His works replete with semi-urban people, birds, beads, peacocks, blossoming flowers and foliage, speak of rural and pastoral Bengal. Human forms are often merged with urban and semi-urban setting. The artist has been trying to acquire skills in sketching. His colours and forms keep telling us about Bangladesh and its varied traditional aspects.
It is very important that the artist has been greatly influenced by rickshaw painting. Rickshaw painting is one of the indigenous forms of art that is unique to this region. His lines are influenced by folk culture, but he has a distinct style of his own unlike other traditional craftsman. Sohel's subjects range from movie stars to depictions of village life and colourful cityscapes to pictorial interpretations of social issues to flora, fauna and animals.
Sohel has a fondness for making masks and he has tried to make a personal hallmark through the genre of art practice. Masks have been used since ancient times for both ritualistic and everyday purposes. A mask reveals many aspects of a society. The masks at the exhibition have been fashioned only out of wood. The styles are primitive, tribal, modern, ancient African, Asiatic and at times, unfamiliar. They are not identical and each expresses a unique look. The masks on display express longing, bliss, woes and jubilation.
The exhibition ends on October 10.

Wednesday, 24 April 2013

My Painting at Gallery Oldham, Manchester, England

This painting is being exhibited at Gallery Oldham, Manchester, England



My First Exhibition

My First Exhibition was held at Alliance de Franchise, with works of 85 (including me) rickshaw painters, in 1999. (Organized by Alliance de Franchise)
.

Sunday, 31 March 2013

Follow me on Twitter


RICKSHAWSMSAMSU

Contact a Rickshaw Artist

Rickshaw Artist S M Samsu


Email:  smsamsu58@gmail.com
           odvutadhar1@gmail.com

Mobile: +8801911011283

Address: Mirpur, Dhaka, Bangladesh

Saturday, 30 March 2013

Rickshaw Artist S M Samsu: My Rickshaw paintings

Rickshaw Artist S M Samsu: My Rickshaw paintings

My Rickshaw paintings

video

Some Rickshaw paintings

Visit this link:
https://www.facebook.com/media/set/?set=a.1237107202383.37226.1070326040&type=3

Rickshaw Artist S M Samsu: A SHORT STORY ON RICKSHAW ART

Rickshaw Artist S M Samsu: A SHORT STORY ON RICKSHAW ART: Once upon a time ... in the country of Bangladesh (no, it's not only hurricanes, disasters, famines... there are actual people there)...

Rickshaw Artist S M Samsu: ‘Rickshaw Art Exhibition’ at Zainul Gallery

Rickshaw Artist S M Samsu: ‘Rickshaw Art Exhibition’ at Zainul Gallery: Rickshaw, a traditional eco-friendly non-motorised vehicle in Bangladesh, is difficult to imagine without decorations and paintings done by ...

Rickshaw Artist S M Samsu: Bangladeshi aspirations

Rickshaw Artist S M Samsu: Bangladeshi aspirations: Samsu is one of Dhaka’s most prominent rickshaw painters. With this one, he has left his usual theme of bengal tiger tea parties or bengal t...

Rickshaw Artist S M Samsu: A Rickshaw Workshop by S. M. Samsu

Rickshaw Artist S M Samsu: A Rickshaw Workshop by S. M. Samsu: A Rickshaw Workshop by S. M. Samsu

Rickshaw Artist S M Samsu: S M Samsu

Rickshaw Artist S M Samsu: S M Samsu: S M Samsu (Born 1958) It all began when I was a little boy—a school goer; started drawing on walls. Later on, I found Zainul Abedin,...

A SHORT STORY ON RICKSHAW ART


Once upon a time... in the country of Bangladesh (no, it's not only hurricanes, disasters, famines... there are actual people there), in the capital city of Dhaka, if you take a big magnifying glass, and skip through the pollution, the jams, the noises of horns, you'll see thousands of bikes running its streets, like blood in its veins.
Well, if you are careful, these are not exactly bikes, more human powered taxi-bikes, or, like Bengali call them, rickshaws. Not exactly thousands, but hundreds of thousands, around six hundred thousands, in a city of fourteen million souls. Hundred thousand bikes means twelve lakh rickshaw wallahs (or twelve hundred thousands pedicab drivers, if you may), but it means thousands of rickshaw garages, thousands of mechanics, thousands of rickshawwallahs dormitories.
If you happen to look even more closely, you'll see that in the dull, hot and humid streets of Dhaka, rickshaws bear the most colorful, extravagant, cheerful arts of Dhaka's streets. The rickshaws bear paintings on their backs, of almost anything: Taj Mahal, bollywood actors, animals, peacocks, ...
At the maximum zoon of your magnifying lens, you will see the builders, rickshaw painters, the artists thanks to whom the cycling paintings circle the streets. You could see Shafoan, Shamim, or Tipu, hunched over a tin plate, painting each square inch of the rickshaw.
And then ... well, the video can explain it better than me.
The article is from:

‘Rickshaw Art Exhibition’ at Zainul Gallery

Rickshaw, a traditional eco-friendly non-motorised vehicle in Bangladesh, is difficult to imagine without decorations and paintings done by local self-taught artists.

This creative work has now become a sophisticated form of art as ‘Rickshaw painting’.

The art-lovers, who are yet to experience the genre, could make plans for today as it marks the closing day of ‘Rickshaw Art Exhibition’, a weeklong group art-show at Zainul Gallery of Faculty of Fine Arts (FFA) on the Dhaka University campus.

The show has been arranged as part of ‘Dhaka Rickshaw Fiesta Week 2013’, a joint-collaboration of Japan-Bangladesh governments.

Japanese Ambassador in Bangladesh Shiro Sadoshima inaugurated the festival on 13 March as chief guest. The inaugural programme was also attended by Professor Syed Abul Barek Alvi, dean of FFA and Dr Mohammad Iqbal, an assistant professor of FFA.

The exhibition features a total of 64 attractive paintings by six professional rickshaw painters including Syed Ahmed Hossain, Dherendra Chandra Das, Rafiqul Islam, Saleh Mohammed and SM Samso.

The artworks, figurative and natural scenes, portray different types of animals like lion, tiger, elephant, giraffe and monkey singing and playing instruments.

Some images represent a dreamy world of Dhallywood, capturing the action, romantic and dramatic sequences of Bangladeshi films while others take on busy places of Dhaka city including Kamalapur Railway Station, Matijheel Shapla Chattar and Sadarghat Launch Terminal and others.

Rural scenes, such as waterfalls, snow-capped mountains, chickens, cows, ducks, palm trees, water lilies and boats sailing across rivers and lakes are also depicted though some paintings.

The exhibition is open to all from 11:00am to 8:00pm until 20 March.

Published on:
http://www.daily-sun.com/index.php?view=details&archiev=yes&arch_date=20-03-2013&type=%E2%80%98Rickshaw-Art-Exhibition%E2%80%99-at-Zainul-Gallery&pub_no=443&cat_id=1&menu_id=7&news_type_id=1&index=1

Bangladeshi aspirations

Samsu is one of Dhaka’s most prominent rickshaw painters. With this one, he has left his usual theme of bengal tiger tea parties or bengal tigers and monkeys as traffic controllers, and has correctly captured a popular aspiration. Sadly political and social commentary in art is a rare thing these days in bangladesh.

A Rickshaw Workshop by S. M. Samsu


A Rickshaw Workshop by S. M. Samsu

S M Samsu


S M Samsu (Born 1958)

It all began when I was a little boy—a school goer; started drawing on walls. Later on, I found Zainul Abedin, an iconic Bengal painter, in my text book, and was spurred immensely seeing his works and reading about him. My math notebooks became filled up with drawings. But what about colouring? As my parents were poor, I made different colours squeezing various vegetable leaves that quite worked for my paintings. My dad, a devout Muslim, didn’t like paintings. Of my going to school and of my coming thence, I came across rickshaw painter Abdul Haqim’s shop, upon the main street. ‘‘Would you teach me how to draw and paint?’’ I implored him one day. He told me to see him with my guardian. I convinced my parents that I didn’t like studying and wouldn’t go to school anymore; I’d learn to paint. It was 1974. Having taken three years work lesson from him, I wanted to be on my own to get into the profession—rickshaw painting. Initially at home, and then rented a place, to do my painting work. Since digital printing kicked off in 1996, I fell into trouble. However, over the later years I got numerous painting orders from foreigners. Alliance de Franchise, with works of 85 (including me) rickshaw painters, in 1999, organized an exhibition. In the same year, my painting was awarded in the Rickshaw-Painting-Competition on the occasion and on the theme ‘‘50th Anniversary of the Federal Republic of Germany’’. 

Email:  smsamsu58@gmail.com
           odvutadhar1@gmail.com

Mobile: +8801911011283

Address: Mirpur, Dhaka, Bangladesh